Taylor Swift fans have made a recreation out of guessing which surprise songs she's going to perform all through her Eras Tour concert events, but her acoustic set at her London shows could be her most anticipated but.

The singer, 34, has three concert events at Wembley Stadium in London on Friday, June 21, Saturday, June 22, and Sunday, June 23. She will later return to the venue for another 5 presentations in August, which is able to serve as the belief of the European leg of the tour.

London holds particular importance for Swift as she has centered multiple songs across the city where she lived all over her relationship with Joe Alwyn, whom she dated from 2016 to 2023. On her 2019 album, Lover, she sang of all of her favourite spots in England’s capital in “London Boy,” which was believed to be an ode to Alwyn, 33.

Swift subsequently put a heartbreaking spin on her love for the city in “So Long, London” from her newest album, The Tortured Poets Department. In the song, she apparently detailed the breakdown of her romance with Alwyn, singing, “I’m simply mad as hell ‘motive I beloved this place for / So lengthy, London.”

Swift also referenced an area London pub on her eleventh album, naming her song “The Black Dog” after the status quo. Unlike her other tracks, regardless that, it may be a nod to her short-lived relationship with ex Matty Healy reasonably than Alwyn.

Swift’s mentions of London in her song predate her romances with Alwyn and Healy. She also name-dropped the town in two songs from Red: “Come Back…Be Here” and the vault monitor “Message in a Bottle.”

Prior to Swift’s London concerts, Alwyn broke his silence on their split, telling The Sunday Times in a June 15 profile that he “would hope that anyone and everybody can empathize and perceive the difficulties that include the top of an extended, loving, fully dedicated relationship of over six and a half years.”

Keep scrolling for a guide to every surprise track Swift performed at her Eras Tour presentations in London:

‘Hits Different’ x ‘Death By a Thousand Cuts’ / ‘The Black Dog’ x ‘Come Back Be Here’

Swift delivered a few of her maximum iconic bridges on night time one, doing a mashup of Midnights’ “Hits Different” and Lover’s “Death By a Thousand Cuts” on guitar. Keeping with the theme of breakup songs, she then moved to piano for her first live efficiency of “The Black Dog” off The Tortured Poets Department ahead of transitioning into Red’s “Come Back, Be Here” and finally Midnights’ “Maroon.”

‘thanK you aIMee’ x ‘Mean’ / ‘Castles Crumbling’

Swift combined the previous and new on night time 2 with her mashup of “thanK you aIMee,” an obvious Kim Kardashian diss track from The Tortured Poets Department: The Anthology, and her Speak Now hit “Mean.” Taylor thanked the audience for their improve sooner than enjoying the tracks.

“[The enhance] blows me away. I’ll spend eternally trying to thanks for that,” she said. “On the other hand, it actually makes me consider how each and every time someone talks s—t, it just makes me paintings even harder and it makes me even tougher. So, it also makes me incredibly thankful for those people. I’ve by no means performed this one earlier than — wish me success.”

While making a song “Mean,” Swift tweaked her lyrics from “Someday, I’ll be livin’ in a large, ole town” to “Someday, I’ll be singing this song in Wembley.”

After the mashup, she welcomed Hayley Williams (who opened for Swift with Paramore as particular guests) to the stage. Williams wore a crimson get dressed as an ode to Swift’s iconic Speak Now technology look as they sang “Castles Crumbling” from Speak Now (Taylor’s Version).

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‘Us’ / ‘Out of the Woods’ x ‘Is It Over Now?’ x ‘Clean’

Swift’s first surprise track on Sunday, June 23, was once her new duet with Gracie Abrams.

“If you already know the phrases to this one, you get extra credit score points as it’s simplest been out for like two days,” Swift mentioned. “This track is technically now not one that’s mine at all, it’s my friend Gracie’s. When I tell you I simply love this lady such a lot … but when you write with any individual it’s such as you see the whole thing [and] all of the artistry, you spot who this person is in point of fact and writing together with her, she’s like so badass. Like, that’s a creator.”

After Abrams exited the level, Swift took to the piano to perform a triple mash-up of the 3 1989 songs.

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